News that actor Hank
Azaria will no longer voice the character of Apu
on The Simpsons has been received as something of a shocker. Typically,
online reactions have run the gamut from blaming
cancel culture to reception of the announcement by
Azaria on Slashfilm
as a sea-change brought
on by wokeness. No doubt, Hari Kondabolu’s documentary The Problem with Apu (2017)
had much to do with intensified scrutiny of the controversial character. Apu Nahasapeemapetilon,
an Indian immigrant who holds a PhD and manages the Kwik-E-Mart, a convenience
store, first appeared on the long-running animated show in 1990, soon after The
Simpsons’ debut on American television the previous year. All along, he has
been voiced by Azaria, a white actor, who affected a fake accent. After
Azaria’s revelation on January 17, the character’s future on the program is
unclear.
In Kondabolu’s
documentary, he and other (mostly male) South Asian American actors speak about
the grief Apu has caused them. Some mention the racial taunts they received
when they were younger, Apu being the inspiration for those jibes. The actors
also explain how the popularity of The Simpsons and its resident brown
store-clerk may have affected their careers as many of the roles they were
offered were of a stereotypical nature and required an accent. Given the dearth
of South Asian representation on US television and in cinema while they were
growing up, these actors note the comparative hypervisibility of Apu who left a
lasting impression with his sing-song accent which was not even provided by
someone of the same racial origins as the character. Further, the actors muse,
in standing in for South Asians in America, the character also skewed how that
ethnic community has been perceived by mainstream society. 
But for Kondabolu the
problem isn’t simply Apu. It’s that Apu just doesn’t do enough. He could be a
business tycoon. Lauding
the show, Kondabolu says of The Simpsons that its Apu
problem could be sorted not by killing off the character, which would be “very
lazy writing for such a brilliant show … [G]ive him some upward mobility. If
you’re saying satire is built in reality, there’s a lot of South Asians who run
convenience stores ... However, they often end up owning the place ... They
become like little moguls.” In other words, Kondabolu believes that the Apu
controversy can be taken care of by portraying the character as not working
class and as a successful model minority.
It is true that most
representations of South Asian clerks in American media have been lacking. Where
are the stories of South
Asian laborers who are undocumented in the United States?
Are there TV shows about convenience store clerks who deal with armed
robberies? What of these clerks’ family lives or of South Asian
women who are also employed in such professions? While makers of televised and
cinematic entertainment have relegated the South Asian clerk to a spectacle of
buffoonery that may often employ aspects of brown-faced minstrelsy, those
critical of such depictions have taken the view that they do not illustrate the
South Asian American community as being respectably well placed economically. Kondabolu’s
documentary would be very different if it took stock of the actuality of the
lives of South Asian clerks rather than only obsess about the kind of media representation
that makes the South Asian American community not look like moguls.
Apu has been on
television for as long as I have lived in the United States. I sometimes
thought about how that character might be who customers had in mind when they
interacted with my dad and his colleagues at the 7-11 he worked at. And while
where that store was located was relatively safe, I worried about my father
returning home on his bicycle after he’d completed the graveyard shift. On the
days when he didn’t have much to say, I knew that things at the store hadn’t
gone well. Sometimes he’d reveal that he’d had words with a customer or that it
had been an exhausting night. I was glad when he quit his job.
Azaria may no longer
voice Apu and that stereotypical character’s presence on The Simpsons
may well cease, but US media still has a long way to go in giving voice to
those that make up its working class.
From The Good Men Project.
